TRACK / 01
2026 · dubstepTimes Are Coming
The mixed and mastered version, finished in generative.download.
Open the song & versionsCall Me Daddy / bass & arrangement
The song.The weight.
Call Me Daddy is the recording identity of William J. Crowell, the Canadian creator behind MusicSubject. His earlier Sqaz recordings form part of the same musical history.
William J. CrowellThe person
MusicSubjectThe overarching project
Call Me DaddyThe recording identity
SqazThe earlier alias
01 / Dubstep & electronic music
Bass music as an approach to the song.
Dubstep is one strand of Crowell’s wider catalog. His recordings place electronic arrangements alongside vocals, lyrics and material drawn from earlier writing. The result is a catalog organized around songs and alternate versions, rather than one fixed production style.
Times Are Coming is documented in the official catalog as a hopeful dubstep recording, with both an original version and a mixed and mastered version dated October 1, 2026. The catalog credits its finishing process to generative.download, the browser audio environment Crowell built.
Satan’s Loan takes a different direction. Its catalog entry describes a cinematic, halftime dubstep arrangement with a blues-electronic influence. Make Me an Animal shows how one song can move through an EDM switch-up, a warehouse mix, a remaster and a later Suno-assisted recording.
These works sit within MusicSubject’s broader use of digital production and AI-assisted arrangements. Crowell’s Sqaz-era rap recordings and earlier vocal material provide historical context for the current Call Me Daddy identity.
02 / Selected listening
The work behind the names.
Recordings and versions that connect with this part of the story.
TRACK / 02
2012 writing · 2026 recordingSatan’s Loan
An earlier poem developed into a cinematic halftime arrangement.
Open the song & versionsTRACK / 03
2025 source · multiple later versionsMake Me an Animal
The later Suno v6 recording sits alongside three earlier treatments.
Open the song & versions